“Trust? Gentlemen, you seem to have forgotten that our chosen career is politics.”
“I can’t listen to this anymore. I can’t accomplish a g-ddamn thing of any worth until we cure ourselves of slavery and end this pestilential war! I wonder if any of you or anyone else knows it. I know! I need this! This amendment is that cure! We’ve stepped out upon the world stage now. Now! With the fate of human dignity in our hands. Blood’s been spilled to afford us this moment now! Now! Now! And you grouse so and heckle and dodge about like pettifogging Tammany Hall hucksters!
“The greatest measure of the Nineteenth Century. Passed by corruption, aided and abetted by the purest man in America.”
___________________________________________________________________________
Many historians and common people rate Abraham Lincoln as America’s greatest president. The mythos and legend surrounding America’s 16th president from the humble log cabin in Illinois to the heights of the powerful office of the presidency to his tragic murder reveals a towering figure over the 240 plus years of our nation’s history.
“Lincoln”, as a movie, chips away at the pretense of a larger than life Lincoln. This is the humanized Lincoln who is quiet, reflective and even tortured in some senses by the loss of his son Willie three years before and by the turbulent times he faces as commander in chief. Historically, Lincoln suffered bouts of clinical depression and the audience can see that in the film as the president privately works to keep his family together and strives to use whatever political chips he can access to pass the 13th Amendment.
Wisely, Steven Spielberg and screenwriter Tony Kushner choose not to tell a sweeping birth to the grave biopic but focus on the last 4 months of Lincoln’s life. He has been re-elected and the bloody civil war rages on. The only war scene the audience actually views is at the very beginning, a solemn and brutal reminder of how divided the country was at that time.
I thought about the real and extremely serious divisions in our country at this given moment while rewatching “Lincoln”. America, having never fully atoned for the racist chattel slavery industry inflicted upon fellow image bearers of God, is still divided as a result of the white supremacy that is so horrifically interwoven through many of our institutions. Perhaps as a country we are still not divided as much as we were in the years leading up to the civil war in the 1850s but we may well be headed that direction. Only God knows at this point.
In Spielberg’s film, Lincoln declares to his team of rival cabinet members (the book “Team of Rivals” by Doris Kearns Goodwin is a partial basis for the script) that he wants to pass the 13th Amendment by the end of the month of January 1865 to, as he puts it, abolish slavery forever. Some of his cabinet members try and talk him out of pursuing this course. They believe that a peace should first be made between north and south and that they should work to that end. Lincoln knows that abolishing slavery would not get done if a peace deal was brokered. The south would never agree to the terms. An illustration to all of us that being a white moderate- as Lincoln’s cabinet was- is a hindrance to progress on foundational issues of human rights and ending racism. A radical, like Lincoln and many others throughout history, inspire us by strong and courageous stands that they took and still take against an insidious evil.
Lincoln’s team sets out to influence the House of Representatives to get a vote on the amendment. Here we see President Lincoln’s shrewd political skill. He is not above buying votes, offering jobs, and pork barrel spending to win people to his side. Politics is a crafty game and Lincoln was a masterful player.
The president is aided in his quest by Thaddeus Stevens, played by a boisterous Tommy Lee Jones (in my mind, one of the badasses of cinema), who was one of the most powerful abolitionists in the House and a radical Republican. Stevens offers his own threats by arm-twisting various members to “encourage” them to vote for the amendment. He has some secrets of his own that are unveiled later.
The cast of the movie are all top-notch: Sally Field as Mary Todd Lincoln is the woman still feeling the grieving burden of losing her son and is concerned about the president’s legacy. David Strathairn is Secretary of State William Seward who helps guide Lincoln through the perilous passage of the 13th Amendment. Joseph Gordon Leavitt, in a really solid performance, plays Robert Lincoln who wants to join the Union fight. His dad is opposed as to not bring another loss on the family. Robert Lincoln refuses the family privilege. The cast is rounded out by John Hawkes, an excellent James Spader and Jackie Earle Haley.
And what can possibly be said about the greatest actor in the world, Daniel Day Lewis. He has won the best acting Oscar three times and has apparently retired from acting. Lewis embodies Lincoln using a higher pitched voice which contemporaries of Lincoln say that he had. Lewis’ Lincoln is witty and sometimes funny while displaying sad eyes as he stalks around the White House like a haunted ghost with a specific walk. He stares out of his office, lonely, contemplating the weight of his decisions and is tortured by his own personal pain.
Imagine trying to stay a course during the most violent and bloody conflict America has ever faced. Contemplate going against the wishes of top advisers which involved brokering the peace deal in order to be firmly committed to the end goal, abolishing slavery forever. We lionize Abraham Lincoln in our history but he was just a depressed man, shouldering a crushing national burden. A broken human who used his brilliance and conviction to end an immoral and sickening industry. Spielberg, Kushner and Lewis keep this raw and real portrait of Lincoln at the forefront of the movie.
Toward the end of the film, Lincoln is walking down a long hallway in the White House to his waiting carriage outside. As he dons his trademark black top hat, we know he is on his way to the Ford Theater on April 15, 1865. I wish that Spielberg would have ended the film at this moment with the main protagonist walking away from the camera and eventually out of sight. The lore around Lincoln is so well known in our national psyche that it would be powerful for the audience to fill in the rest of the gaps on their own. The story does go on from that point but seems unnecessary to what Spielberg and Kushner were wanting to accomplish.
Spielberg has shown that he can do the fun popcorn thrillers, arresting science fiction pictures, and genuinely inspiring historical dramas. “Lincoln” continues Spielberg’s interest in real life figures, grounded in a fallen reality and, like Oskar Schindler, fighting against their own demons while trying to act righteously for a great many people. “Lincoln” is in the top tier of Spielberg films.
Lester Lauding Level: 4 (out of 5)
Ranking of Spielberg Movie (so far):
Schindler’s List (Review here)
Raiders of the Lost Ark (Review here)
Jaws (Review here)
Saving Private Ryan (Review here)
Jurassic Park (Review here)
Munich (Review here)
Minority Report (Review here)
Close Encounters of the Third Kind (Review here)
E.T. The Extra Terrestrial (Review here)
Indiana Jones and the Last Crusade (Review here)
Lincoln
A.I. Artificial Intelligence (Review here)
Catch Me If You Can (Review here)
The Adventures of Tintin (Review here)
Empire of the Sun (Review here)
War Horse (Review here)
Amistad (Review here)
The Color Purple (Review here)
Duel (Review here)
War of the Worlds (Review here)
The Terminal (Review here)
The Post (Review here)
Indiana Jones and the Temple of Doom (Review here)
Hook (Review here)
The Lost World: Jurassic Park (Review here)
The Sugarland Express (Review here)
Indiana Jones and the Kingdom of the Crystal Skull (Review here)
Always (Review here)
1941 (Review here)